Slim Aarons

Slim Aarons was an American photographer, who worked at West Point, and later served as a combat photographer in World War II and earned a Purple Heart.

I sadly only discovered the work of Slim Aarons, after he had died in May 2006. – He was born George Allen Aarons on October 29, 1916. He was an American photographer known for photographing. socialites, jet-setters and celebrities.

Slim Aarons, The High Life, 1968.  Photographer
Slim Aarons, The High Life, 1968. (All Copyrights respected)

Photography career

Slim enlisted at 18 in the U.S. Army. He was a West Point photographer and later, a combat photographer during World War II. He earned a Purple Heart. Slim joked that he learned from combat that the best beach to land on was one with seminude girls, tanned in the sun.

He began photographing celebrities in California after the war. He shot Kings of Hollywood in California, his most acclaimed photo. It is a 1957, he’s New Year’s Eve photo shows Clark Gable, Van Heflin and Gary Cooper relaxing at a bar wearing formal wear. Slim’s work was published in Life, Town & Country and Holiday magazines.

He called it “photographing attractive people doing attractive things at attractive places.” His 1970 Poolside Gossip photo at Richard Neutra’s Kaufmann House is a classic example of this approach. Nelda Linsk, the owner of the Kaufmann House, is one of the models. In 2002 interview with The London Independent, he stated that he knew all of them. “They would invite me to their party because they knew that I wouldn’t harm them” he said. 

Rear Window (1954) by Alfred Hitchcock, whose main character Jimmy Stewart plays as a photographer, is set at an apartment that is believed to have been inspired by Slim.

In 1997, Mark Getty, the co-founder of Getty Images, visited his home and bought Slims entire archive.

In 2017, filmmaker Fritz Mitchell released a documentary about Slim, called Slim Aarons: The High Life.


Slim Aarons died in 2006 in Montrose, New York, and was buried in Mount Auburn. Cemetery in Cambridge, Massachusetts.

This article was written by © Christopher G – Narrating Images

Fujifilm’s first twin-lens reflex camera!

In 1954, Fujifilm introduced the Fujicaflex, which it developed to be the finest TLR produced in Japan.

IN A TWIN-LENS REFLEX CAMERA (TLR), one of two vertically arrayed lenses is for the viewfinder, and the other is for taking the actual photograph. In the 1950s in Japan, the demand for twin-lens reflex cameras (TLRs) suddenly took off for several reasons: they typically offered good image quality, were sturdy and durable, and were available at a reasonable price.

In 1954, Fujifilm introduced the Fujicaflex

But using two lenses meant that what the photographer saw in the viewfinder wasn’t exactly what appeared in the shot. In particular, it was difficult to capture the same relationship between the subject and the background that one saw in the viewfinder. Moreover, the closer the camera was to the subject, the harder it was to achieve an accurate focus, making it difficult to shoot anything closer than a meter or so. 

In 1954, Fujifilm introduced the Fujicaflex, which it developed to be the finest TLR produced in Japan. Distinguishing itself from the many cheap TLRs then on the market, the Fujicaflex incorporated a cutting-edge lens that delivered beautiful, high-resolution photos. A single mechanism altered the position of the front lens element of both the taking lens and the viewfinder lens to achieve simultaneous focus, making possible in-focus shots at the short distance of 70cm. The camera embodied several other clever and advanced ideas as well. For example, the nob on the side smoothly adjusted the point of focus; when pulled outward from the camera body, this same knob wound the film forward. It was a nice detail that made taking pictures just a little more speedy and convenient.

The Fujicaflex was very favorably received by photographers who at the time credited it as a new height in Japanese camera technology. It was a product that greatly enhanced the brand image of Fujifilm cameras and paved the way for future innovations.

The world’s first autoflash point-and-shoot camera

In the 1970s, point-and-shoot cameras became quite popular among amateur photographers. The film came in a cartridge and was easy to load, while shooting was as simple as locating the subject in the viewfinder and pressing the shutter button. When Fujifilm decided to enter this segment of the camera market, the company partnered with Kodak, signing a licensing agreement. Then, in 1975, Fujifilm launched the Pocket FUJICA lineup of point-and-shoot cameras, five models ranging from basic to high-end.

After introducing the Pocket FUJICA in Japan, Fujifilm expanded sales to overseas markets. In order to make the camera easier to hold and help prevent bad shots due to camera shake, in later models Fujifilm changed the positioning of the film inside from horizontal to vertical. These and other innovations encouraged more people to take up photography and spurred sales to even greater heights.

Fujifilm continued to look for new ways to enhance the Pocket FUJICA line. Market research conducted by the company indicated that 75% of point-and-shoot camera users found flash photography difficult and inconvenient. So, in 1978, Fujifilm introduced the high-end Pocket FUJICA 550 Auto, which featured an integrated pop-up flash. The flash was automatic and light output even adjusted to match lighting conditions. In combination with the camera’s autoexposure function, the autoflash made it easy to take beautiful photographs and avoid mistakes that wasted valuable film. This feature was a world’s first for a point-and-shoot camera and made the Pocket FUJICA 550 Auto yet another milestone product for Fujifilm.


Professional documentary style photographer, based in the Cotswolds!

Documentary Style Photography

I’m a documentary style photographer, based in the Cotswolds, who started shooting professionally some ten years ago now. Since then, I’ve been commissioned to photograph around the world. I shoot in a relaxed documentary style, telling a story, rather than creating conventional ‘staged’ photos.

The Fujifilm equipment provides everything I need to capture discreet, unobtrusive photographs. Documentary style photography captures the everyday lives of people and record snapshots of how and where we live.

If you look at the work of some of the photograhers I’ve also featured on this website, it’s obvious Street Photography is a vibrant and evolving art.

Naples Pier, Fl - Fujifilm X-Pro-3 - 'Social Distancing' | Narrating Images
Naples Pier, Fl – Fujifilm X-Pro-3 – ‘Social Distancing’ – © Narrating Images